Showing posts with label Girdle. Show all posts
Showing posts with label Girdle. Show all posts

Tuesday, 29 May 2012

Diamond Anatomy and Shapes


For Further Details contact 


AESERA  Jewellery DESIGNING ACADEMY

No 144/74, Eskay building, 3rd floor, 
Greams Road, Thousand Lights
Chennai,  Tamil Nadu
India,
Mobile: +91-9444100081,+91-9840689781

seshu.gopal@jewelrydesignacademy.com







 HERE ARE THREE BASIC PARTS TO EVERY CUT DIAMOND:
The crown (top)
The girdle (around the middle)
The pavilion (the bottom).
CROWN The crown consists of a large flat area on top called the table, and a number of facets. As the diamond catches the light, the job of the crown is to split the light entering the diamond into white light, which gives the stone its brilliance, and colored light, which gives it fire, or dispersion.
GIRDLE The girdle is the thin, unpolished band around the widest part of the diamond. The function of the girdle is to protect the edge of the stone from chipping (even though diamond is the hardest natural substance on earth, it can be chipped )
PAVILION The pavilion has the most important job, which is to reflect the light that passes through the crown back into your eyes. Think of it as a cone lined with mirrors. The light enters the diamond through the crown, splits into white and colored light, bounces off the facets of the pavilion back up through the crown, where you see it as sparkle! But to achieve the maximum sparkle — that magic combination of brilliance and fire — the diamond must be well cut and cut in the proper proportions.


THE SIZE OF THE TABLE, THE SYMMETRY OF THE FACETS, THE THICKNESS OF THE GIRDLE, AND THE ANGLE OF THE PAVILION MUST ALL WORK TOGETHER TO GIVE THE DIAMOND THE SPARKLE YOU WANT.
TABLE The size of the table, as a percentage of the crown, is important because it determines the amount of brilliance, or white light, the diamond will reflect. For example, if the table is 60% of the diameter of the crown, 60% of the light you see will be brilliance and 40% will be fire, or dispersion. Avoid a diamond with a table area of 65% or higher. It will give the diamond too much brilliance, and not enough fire–and the diamond will look fuzzy or foggy. (The only exception to this rule is emerald and rectangular cut diamonds that can have a 65% table. This includes all princess cuts, quadrillions and radiants.) HERE’S THE FORMULA: Table area 53-60% = GREAT! Table area 61-64% = GOOD! Table area 65%+ = except emerald and rectangular cuts.
FACETS The typical diamond is cut with 58 facets, 33 on the crown and 25 on the pavilion. On a well-proportioned stone, these facets will be uniform and symmetrical. If they are not, the diamond’s ability to refract and reflect light will suffer. Furthermore, a poorly-cut diamond just won’t look right to the eye. The sad fact is, 75% of all rounds and 88% of all other shapes on the market are poorly proportioned! Poorly proportioned stones are more profitable for the dealer, because they retain more of the weight of the rough or uncut diamond.
GIRDLE You don’t want a diamond with a girdle that’s too thin, or one that’s too thick — you want one that’s just right! The whole purpose of the girdle is to protect the edge of the stone from chipping. A girdle that’s too thin doesn’t give enough protection. A girdle that’s too thick does protect against chipping, but it doesn’t look so good. So you want a diamond with a medium girdle, neither too thin nor too thick. How do you tell? Look at the diamond from the side. If it looks like there’s a white chalk line around the middle of the stone, the girdle is too thick. If you don’t see any girdle at all with the naked eye, look at the same area of the stone with a 10X loupe. If you can’t see a girdle with the loupe, it’s too thin.
PAVILION The job of the pavilion is most important of all: to reflect light. The light enters the diamond through the table and the facets of the crown, passes through the diamond, and is reflected back by the facets of the pavilion. Here’s the important part: The angle of the pavilion for a round diamond must be between 40-41.5 degrees. 40.75 degrees is perfect. For marquise, pear, and ovals, the perfect angle perfect angle is 40 degrees, but an acceptable range is 39.25–40.75 degrees. For emerald and rectangular cuts, perfect is 45.05 and an acceptable range is 43.3-46.8 degrees. If the pavilion angle is not exactly right it will not reflect the light properly, and the diamond won’t have the sparkle it should. In a round diamond, there’s a dramatic loss of sparkle if the angle is even a tenth of a degree above 41.5 or below 40 degrees. In marquise, pear, or oval, maximum sparkle is achieved with a 40 degree pavilion angle, but the angle can be increased or decreased by as much as three-fourths of a degree with only a 10% loss of sparkle. Emerald and rectangular cut diamonds have the widest allowable variance of 1.75 degrees. Each extreme will also cause a 10 percent loss of sparkle.
CROWN ANGLE The angle of the crown is also important, but it doesn’t have to be quite as precise as the pavilion angle. The angle of the crown should be 32-35 degrees. If it’s smaller than 32 degrees, the diamond is what we call spread-cut. This makes the table area too large and the girdle too thin, and we already know what problems that causes. If the angle of the crown is above 35 degrees, it makes the diamond “top heavy.” This results in a smaller diameter, making the diamond look smaller than it really is. The last thing you want is a one-carat diamond that looks like a 3/4 carat!
CULET Finally, at the very bottom of the diamond–the base of the pavilion–there may be a small facet called the culet. If this facet is too large, when you look straight down through the table it will look like the diamond has a hole in the middle. Make sure the stone has no culet or a very small culet.
TWO OTHER IMPORTANT DIAMOND MEASUREMENTS Two other measurements to consider are: total depth and length-to-width ratio.
TOTAL DEPTH is a simple, straightforward measurement: take the height of the stone and divide it by the diameter of the stone. For a fancy stone, the diameter is measured at its widest part. The answer should be in the 56%-61% range. If it’s not, it means there’s something wrong with the crown angle and/or the pavilion                angle, or the girdle thickness. (The only exception to this rule is emerald or rectangular cut diamonds that can have a total depth of 65%.)
THE LENGTH-TO-WIDTH RATIO is used to determine if a fancy-shaped diamond (anything other than round) is well-proportioned. For example, we don’t want to buy a marquise that is so skinny it looks like a banana, or one that’s so fat it looks like a football. Pleasing proportions aside, the length-to-width ratio also affects a phenomenon known as the bow-tie. Let me explain.
Fancy shapes are not symmetrical —  only a round is. And because fancy stones aren’t symmetrical, they all have a bow-tie — two triangular shadows in the middle of the diamond where light leaks out the bottom. If the length-to-width ratio is off, it will intensify the bow-tie in the stone! For a marquise diamond, the length should be no less than 1.75 times the width, and no more than 2 times the width. For pear shapes, the length should be no less than 1.5 times the width, and no more than 1.75 times the width. For emerald and oval shapes, the length should be no less than approximately 1.3 times the width, and no more than 1.75 times the width.
PROPORTIONS MADE EASY GIA has made it easier to determine if a diamond is well-proportioned by dividing all cut diamonds into four classes. Essentially, Class One and Class Two diamonds are well-proportioned; Class Three and Class Four diamonds are not. Class One diamonds are investment-quality stones, beautifully proportioned and priced to match. If your objective is to buy a beautiful diamond to wear,                  Class Two is fine.
 ADVICE: Don’t go below Class Two. And if the jeweler doesn’t know what the GIA classes are, move on!
PROPORTION AND PRICE A poorly proportioned diamond is worth as much as 40% less than a well proportioned stone. One reason for the difference in worth is that it takes a 3-carat rough, which is a diamond as it’s found in nature, to produce a well proportioned 1-carat cut stone. But it only takes a 2-carat rough to produce a poorly proportioned 1-carat stone. A poorly proportioned diamond will not sparkle nearly as much as a well proportioned diamond. If a diamond is poorly proportioned, only 35-40% of the light that enters it will reflect back up into your True Love’s eyes, while a well proportioned diamond will reflect close to 90% of the light. A woman wants a diamond to be “big, clean, white and sparkly,” and it won’t sparkle unless it’s well proportioned.

Diamond Shapes

Finding the perfect shape for your diamond is an important consideration. The cut must be perfect and should not be poorly proportioned. A poorly proportioned diamond or “Off Make” will never have the maximum sparkle, fire, or brilliance that it would achieve if it were properly cut. The chart with photos below shows excellent examples of well proportioned diamonds.
round Diamond Shapesoval Diamond Shapesemerald cut Diamond Shapescurved trilliant Diamond Shapes
standard radiant Diamond Shapesasscher Diamond Shapesprincess Diamond Shapesstraigt trilliant Diamond Shapes
heart Diamond Shapespear Diamond Shapesbox radiant Diamond Shapesmarquise Diamond Shapes
baguettes Diamond Shapesbullet Diamond Shapestrapezoid Diamond Shapeshalfmoon Diamond Shapes


Diamonds come in a variety of shapes. Do not confuse cut with shape. Cut is what determines how well-cut your diamond is, where as diamond shape is the shape it was cut into.
http://www.vr3djewellery.com/vr/images/d1.jpg
ROUND BRILLIANT
Do not confuse with Round. The Round Brilliant is the modern version of the Round which has been refined for maximum shine. The Round Brilliant is by far the most popular and has the best angles to shine maximum brilliance.
http://www.vr3djewellery.com/vr/images/d2.jpg
ASSCHER
A square cut similar to an emerald with step facets; however, it is more square rather then rectangular shaped. Like the emerald, it has clipped corners. Recently the Asscher shape has become very popular.
http://www.vr3djewellery.com/vr/images/d3.jpg
EMERALD
A more traditional shape, the Emerald is not as popular as it once was, but still retains its old world elegance..
http://www.vr3djewellery.com/vr/images/d4.jpg
RADIANT
Popular before the Princess shape was around, the Radiant has more facets than a Princess, but has the corners trimmed like the Emerald shape. This shape is not widely popular.
http://www.vr3djewellery.com/vr/images/d5.jpg
HEART
Hard to find due to low demand, but some people prefer a Heart shape diamond for sentimental purposes.
http://www.vr3djewellery.com/vr/images/d6.jpg
MARQUISE
Like the Emerald, the Marquise is a traditional shape. This is probably the fourth most popular shape behind the Round, Princess and Oval..
http://www.vr3djewellery.com/vr/images/d7.jpg
PEAR
Mostly used in pendants, the Pear shape diamond is shaped in a tear drop shape and has fairly good proportions to refract light well.
IDEAL CUT OF DIAMOND
Everyone has their own opinion on what Ideal is. Some people prefer a diamond to have a somewhat larger table, say around 60%, so the diamond “looks” bigger. Some want the Tolkowsky Ideal Cut, as calculated in the early 20th century by mathematician Markov Tolkowsky. The diagram below describes the Class 1 and 2 grades of GIA. They are the largest body in the world for diamond grading, and we use their classifications to grade our diamonds. Class 1 is Ideal. Class 2 is Very Fine, Class 3 is Fair, and Class 4 is Poor. GIA’s definition of “Ideal – Very Fine” Class are as follows:
Please keep in mind that diamonds other than Round Brilliant do not always have their cuts measured in such detail because they are classified as “fancy cut” diamonds and have very loose tolerances.

When buying a diamond, especially a Round Brilliant cut diamond, it is always best to have a complete analysis of cut. This will tell you all the specifications of the diamond’s cut such as table percentage, depth percentage, etc., usually obtained from a scope (or megascope).
BASIC 4 C’s OF DIAMOND
CARAT
Carat weight is the weight of the diamond measured in carats. One carat is divided into 100 “points,” so that a diamond of 75 points weighs 0.75 carats. Carat weight is the most obvious factor in determining the value of a diamond. But two diamonds of equal carat weights can have very different prices, depending on their quality. Diamonds of high quality can be found in all size ranges.
http://www.vr3djewellery.com/vr/images/caratimg.jpg
The scale above depicts the carat weights and diameter sizes of round diamonds. Other diamond shapes will vary. For example, while a 1 carat round shape diamond is 6.5mm on average, a 1 carat princess shape diamond is often 5.5mm instead.

Since diamonds are measured by carat weight, and not size, two diamonds of the same weight could have different sizes. Why? If a diamond is cut too shallow it will have a larger diameter but a smaller depth. Likewise, if a diamond is cut too deep (or bottom heavy) it will have a smaller diameter and thus appear smaller when viewed from the top.

Cut is very important. A properly cut diamond will both yield a good face up size and sparkle well. For example, let’s say you’re interested in a 1.00ct round diamond. A poorly cut diamond that is bottom heavy may only have a diameter of say 6.1mm. So not only are you short changed on the face up size, but you get a diamond that was not cut to it’s full potential and thus does not sparkle like it should.

This is why it’s important not just to get the biggest diamond you can afford, but the best cut diamond as well.
CLARITY
Diamond Clarity is a measure of a diamond’s internal flaws and impurities. A diamond that is virtually free of interior or exterior inclusions (commonly referred to as flaws) is of the highest quality, for nothing interferes with the passage of light through the diamond. To determine a diamond’s clarity, it is viewed under 10x magnification by a trained gemologist. Small inclusions neither mar its beauty nor endanger its durability.

Flawless - No internal or external flaws.
Internally Flawless – No internal flaws. Very rare and beautiful diamonds which are quite expensive.
VVS1, VVS2 - Very, Very Slightly Included: Very difficult to see inclusions under 10x magnification. An excellent quality diamond.
VS1, VS2 – Very Slightly Included: Inclusions are typically not visible to the unaided eye. Less expensive than the VVS1 or VVS2 grades. Even properly graded VS2 diamonds can have visible inclusions in very large sizes or diamonds that do not have many facets which make flaws more visible such as an emerald shape.
SI1, SI2 - Slightly Included: Inclusions are typically visible under 10x magnification, SI clarity diamonds are usually of the best value since inclusions are not always visible to the naked eye and prices are reasonable when compared to prices of the VS2 clarity and up grades. Some SI clarity diamonds do have visible inclusions and should be evaluated carefully.
SI3 - Slightly Included-Included: SI3 is an EGL grade and is not recognized by GIA or other gemological institutions. The SI3 clarity grade has been adopted by other labs as well. Typically an SI3 clarity grade would usually be given an I1 grade by the GIA.
I1 - Included: an I1 clarity diamond will have a visible flaw which can be seen with the naked eye, but there should only be one major flaw which is not too obvious. Overall the diamond should still look nice however I1 clarity grades vary quite a bit so one should be very careful when making a selection. If your budget only allows for an SI3 or I1 clarity diamond, be sure to examine it thoroughly before purchasing and make sure the inclusions do not detract from the overall beauty of the diamond.
I2, I3 - Included: These diamonds will have inclusions visible to the naked eye, and will have many black spots from the black inclusions and/or appear very cloudy or milky from the white inclusions, feathers and cracks.
COLOUR
The diamond color grading scale varies from totally colorless to light yellow. The differences between one diamond color grade and another are very subtle and difficult to distinguish.
D-F : Colorless: perfect or almost perfect color.
G-J : Near colorless: good to very good color, and this diamond may “face up” colorless when mounted, especially in white gold or platinum.
K-M : Light but noticeable yellow or brown tint. Not recommended for larger diamond stone purchases, especially in engagement rings.

Out of the 4 C’s, color and cut are the two most important characteristics of a diamond. Do not compromise on color. An “H” color or better is usually best.
CUT
Many people confuse diamond cut with the shape of a diamond. Unlike shape, diamond cut is the metric used to evaluate the precision and quality of the overall cutting itself. Diamond cut is the most complex of the 4 Cs, and not even the major labs agree on how to best measure the quality of a diamond’s cut. Diamond Cut usually takes into consideration 3 criteria: Proportions, Symmetry and Polish. Sometimes Light Performance or other tests can be used to also calculate the precision of the diamond cut.
http://www.vr3djewellery.com/vr/images/cut1.jpg
1. When a diamond is cut to proper proportions, light is reflected from one facet to another
and then dispersed through the top of the stone similar to the image shown to the left.
http://www.vr3djewellery.com/vr/images/cut2.jpg
2. If the cut of the diamond is too deep, some light escapes through the opposite side of the pavilion.
http://www.vr3djewellery.com/vr/images/cut3.jpg
3. If the cut is too shallow, light escapes through the pavilion before it can be reflected.
Up until several years ago, evaluating the cut of a diamond was not an easy task. Dimensions and proportions of the diamond as well as its finish (both symmetry and polish) were all the information able to be evaluated, thereby making it difficult for consumers to understand what is a well-cut diamond and what is not.

Symmetry measures how well the facets match the other facets. A diamond cut with very good or excellent symmetry means that if you were to look at all the facets and compare to one another, they would look very uniform with very little variance. This doesn’t mean however the diamond is not cut too deep or too shallow.

Polish is a measure of the surface finish. If a diamond is only polished “Fair” or “Good” it does not allow maximum transition of light through the facets, due to it’s “rough” surface texture. Very Good polish by most lab standards is usually sufficient to get the top cut grade, and excellent/ideal is often preferred. Polish graded above Very Good is not detectible to the naked eye.

So while symmetry and polish help you determine if the diamond is cut well, it doesn’t always mean the diamond will perform like a well cut diamond.

Recently both the GIA and AGS have adopted “Cut Grades” which factor all these things together; the proportions, symmetry and polish, and sometimes even light performance. Currently, GIA issues a cut grade on its round diamonds, and AGS issues a cut grade on round and princess shape diamonds they grade.


61% Factor Chennai Gold Jewellery Desgining Training School Rhino 3D JEwel CAD Institute Courses

For Further Details contact 


AESERA  Jewellery DESIGNING ACADEMY

No 144/74, Eskay building, 3rd floor, 
Greams Road, Thousand Lights
Chennai,  Tamil Nadu
India,
Mobile: +91-9444100081,+91-9840689781

seshu.gopal@jewelrydesignacademy.com




61%  (In honor of Mark Osborne)

Question: Can a diamond whose crown angle is within tolerance of being a Class I or II, whose girdle thickness is neither very thin nor very thick and whose pavilion angle is also within tolerance of being a Class II actually be a Class III?

Answer: Yes, it is possible for the parts of a diamond to meet Class II tolerances but whose total exceeds the “61% Factor”. The 61% factor is when the crown height, girdle thickness and pavilion depth exceed 61%. Mathematically, 61% is the magical total depth percentage that a round, pear, marquise or oval must not exceed in order to remain a Class II (Class I and Class II diamond are well proportioned diamonds and Class III and Class IV are not).

Once the total depth percentage exceeds 61%, it can be proven very easily by taking the tangent of the crown and pavilion angles and their corresponding crown heights and pavilion depths to show how light enters critical angles in the pavilion of the diamond and leaks out to create a fish eye in a round and deep bow-tie shadows in pears, marquise and ovals.

 With so many laboratories stating that total depths can exceed 61% my lack of emphasis on the importance of the “61% Factor” might have left too many question marks in the minds of some of the readers of my book, website and columns. The importance of the “61% Factor” can now be placed in the limelight that it rightfully deserves.

 how important not going over the 61% really was in terms of total depth percentage?

The Answer for above is , Imagine that you are 61 steps from the edge of a cliff, how big a deal is that 62nd step?

Monday, 7 May 2012

CUT - 4 C's of Diamond - Chennai Gold Institute Rhino Jewellery 3D CAD Designing Certificate Course Training School Aesera Academy


For Further Details contact 


AESERA  Jewellery DESIGNING ACADEMY

No 144/74, Eskay building, 3rd floor, 
Greams Road, Thousand Lights
Chennai,  Tamil Nadu
India,
Mobile: +91-9444100081,+91-9840689781

seshu.gopal@jewelrydesignacademy.com


Diamond Grading Terminology
A diamond's cost is based on the characteristics known as the "4 C's". Clarity, Colour and Cut (proportion) are the quality elements which together with the Carat Weight determine the value of a stone.

The closer a diamond grades to the left of one or all of these scales the rarer and the more costly it will be. While clarity is frequently assumed to be the most important factor of all the "C's", in fact, colour and cut (especially cut) have a more profound affect on the visual appearance of a diamond.

Diamond Anatomy 

Wondering what on earth is the diamond's pavilion? Table? Culet? The graphic and supporting text below explain the various "parts" of a diamond. 
diamond sections

  • Diameter 
    The width of the diamond as measured through the girdle.
  • Table 
    This is the large, flat top facet of a diamond.
  • Crown 
    The upper portion of a cut gemstone, above the girdle.
  • Girdle 
    The narrow rim of a diamond that separates the crown from the pavilion. It is the largest diameter to any part of the stone.
  • Pavilion 
    The lower portion of the diamond, below the girdle. It is sometimes referred to as the base.
  • Culet 
    The tiny facet on the pointed bottom of the pavilion, which is the portion of a cut gem below the girdle.
  • Depth 
    The height of a gemstone, from the culet to the table.

CUT

Cut is the factor that fuels a diamond’s fire, sparkle and brilliance.
The traditional 58 facets in a round brilliant diamond, each precisely cut and defined, are as small as two millimeters in diameter. But without this precision, a diamond wouldn’t be nearly as beautiful. The allure of a particular diamond depends more on cut than anything else.
An understanding of diamond cut begins with the shape of a diamond. The standard round brilliant is the shape used in most diamond jewelry. All others are known as fancy shapes. Traditional fancy shapes include the marquise, pear, oval and emerald cuts. Hearts, cushions, triangles and a variety of others are also gaining popularity in diamond jewelry.


As a value factor, though, cut refers to a diamond’s proportions, symmetry and polish. For example, look at a side view of the standard round brilliant. The major components, from top to bottom, are the crown, girdle and pavilion. A round brilliant cut diamond has 57 or 58 facets, the 58th being a tiny flat facet at the bottom of the pavilion that’s known as the culet. The large, flat facet on the top is the table.

The proportions of a diamond refer to the relationships between table size, crown angle and pavilion depth. A wide range of proportion combinations are possible, and these ultimately affect the stone’s interaction with light.
 How a diamond has been cut, polished, and to what proportions and symmetry, are of utmost importance since these factors determine the life, brilliance and dispersion of the diamond. If these cutting factors fall below standard, the appearance of the diamond will be adversely affected.

Cut
Cut, sometimes the forgotten "C", ensures that a given stone has maximum brilliance and sparkle which would not be the case were the stone cut for weight alone.
We use the following scale to grade a stone on it's overall appearance. The shows angles and percentages for round brilliant cut diamonds; but angles and percentages are for diamond cutters and graders. Simply put, when looking at a diamond, if it doesn't catch your eye or if it doesn't flash in the light, it's probably not well cut. Good cutting is what brings fire to the ice.

cutgrade.gif (3663 bytes)

 

Diamond Cut

  Don't confuse the diamond's "cut" with the diamond's "shape." 

First, don't confuse diamond "cut" with "shape." Shape refers to the general outward appearance of the diamond, (such as round,emerald or pear). When a diamond jeweler (or a diamond certificate) says "cut," that's a reference to the diamond's reflective qualities, not the shape (or at least it should be, we have found that even some "jewelers" don't appear to know the difference between "cut" and "shape"). 
  The quality of the "cut" does make a difference in how a diamond looks. 


Diamond cut is perhaps the most important of the four Cs, so it is important to understand how this quality affects the properties and values of a diamond. A good cut gives a diamond its brilliance, which is that brightness that seems to come from the very heart of a diamond. The angles and finish of any diamond are what determine its ability to handle light, which leads to brilliance.
(See  Diamond Anatomy for an explanation of the terms used in the next paragraphs.)

As shown in the images below, when a diamond is well-cut, light enters through the table and travels to the pavilion where it reflects from one side to the other before reflecting back out of the diamond through the table and to the observer's eye. This light is the brilliance we mentioned, and it's this flashing, fiery effect that makes diamonds so mesmerizing. 

ideal cut diamond fine cut diamond 
shallow cut diamond deep cut diamond
In a poorly cut diamond, the light that enters through the table reaches the facets and then 'leaks' out from the sides or bottom of the diamond rather than reflecting back to the eye. Less light reflected back to the eye means less brilliance. 


Good Proportions are Key
 
Most gemologists agree that the best cut diamonds are those that follow a set of formulae calculated to maximize brilliance. These formulae can be seen in a diamond's proportions, most importantly how the depth compares to the diameter, and how the diameter of the table compares to the diameter of the diamond.


If you opt to buy a diamond without an  certificate, spend some time looking at certified diamonds (where you know the Cut Grade) and train your eyes to identify the better cuts (by their "sparkle"). Cut does make a difference to the outward appearance of a diamond.  
However, the variance in the proportions between an Ideal Cut and a Poor Cut can be difficult to discern by the casual observer. 
Because cut is so important, several grading methods have been developed to help consumers determine the cut of a particular diamond. In general, these grades are: 
  • Ideal
  • Premium
  • Very Good
  • Good
  • Fair & Poor
Which Grade of Cut Should I Buy?
 
Selecting the grade of cut is really a matter of preference. To make the best selection, you need to understand the various grades. Please note that the descriptions below are general guidelines. 


Ideal Cut
 
This cut is intended to maximize brilliance, and the typically smaller table sizes of these diamonds have the added benefit of creating a great deal of dispersion or 'fire' as well. Ideal quality diamonds are truly for the person who enjoys knowing that he has one of the finest things that money can buy. This category applies only to round diamonds. 


Premium
 
In the case of round diamonds, many Premium Cut diamonds have cuts that are the equal of any Ideal Cut diamond, though they often can be purchased at slightly lower prices than  Ideal Cuts. They are intended to provide maximum brilliance and fire. Like the Ideal Cut, these are also for the person who enjoys knowing that he has one of the finest things that money can buy. 


Very Good
 
These diamonds reflect most of the light that enters them, creating a good deal of brilliance. With these diamonds, the cutters have chosen to stray slightly from the preferred diamond proportions in order to create a larger diamond. The result is that these diamonds fall slightly outside of some customers' preferences in terms of, for example, table size or girdle width, though, in many cases many of the parameters of diamonds in this range will overlap with certain parameters of diamonds in the Ideal or Premium ranges. Generally, the price of these diamonds in slightly below that of Premium cuts. 


Good
 
Diamonds that reflect much of the light that enters them. Their proportions fall outside of the preferred range because the cutter has chosen to create the largest possible diamond from the original rough crystal, rather than cutting extra weight off to create a smaller Premium quality diamond. Diamonds in this range offer an excellent cost-savings to customers who want to stay in a budget without sacrificing quality or beauty. 



Fair & Poor
 
A diamond graded as fair or poor reflects only a small proportion of the light that enters it. Typically these diamonds have been cut to maximize the carat weight over most other considerations.